Tres casos de "obediencia dislocada de género" : una lectura de tres obras de Almudena Grandes, Eduardo Mendicutti y Pedro Almodóvar por Bonatto, Adriana Virginia

“…Se trata de la adulta joven Lulú en la novela Las edades de Lulú de Almudena Grandes (1989), de la transexual Rebecca de Windsor en la novela de Eduardo Mendicutti Yo no tengo la culpa de haber nacido tan sexy (1997) y el enfant terrible Juan, travestido como Zahara, en el film La mala educación de Pedro Almodóvar (2004). …”
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CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR por Stallings, Gregory Charles

“…It also analyzes similar subversive themes in two contemporary movies, Quentin Tarantino’s Inglourious Basterds and Pedro Almodóvar’s Volver. The literal sabotage in Hitchcock’s film (the placement of bombs in relation to cinema) is combined with the murder of the husband (treating him like a piece of meat) in order to constitute a figure of radical cinema not only as anti-auretic art (in the sense of the work of art in the age of mechanical reproduction according to Walter Benjamin) but also, in terms of Manuel Asensi, as an athtetic text in which the enthymematic syllogism which informs the fascist model of the world (society and politics are like an artistic work based on pure forms) is deconstructed. …”
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